At night
Author: prasunsen
Keywords:
bike biking hyderabad india motrocycle traffic
Added: 2008-07-13T08:50:42.000-07:00
View Full Video
Sunday, July 13, 2008
Biking in Hyderabad 6
Biking in Hyderabad 6
View Full Video
View Full Video
Thursday, July 10, 2008
Jupiter in Sky 2008
Jupiter in Sky 2008
View Full Video
Planetary Society, India launched "Jupiter Observation Campaign" as Prelude to International Year of Astronomy 2009.
This Video depicts the Journey of Jupiter (rising and setting) In the Night Sky 2008 after opposition.
Author: ssamedia27
Keywords:
astronomy hyderabad india jupiter observation planets positon year
Added: 2008-07-10T01:19:07.000-07:00
View Full Video
Wednesday, July 9, 2008
Presentation Ceremony ICL Twenty20 Championships 2008 Part 2 of 2
Presentation Ceremony ICL Twenty20 Championships 2008 Part 2 of 2
View Full Video
ICL 20s Grand Championship - 2nd final hyderabad Heroes v Lahore Badshahs Played at Lal Bahadur Shastri Stadium, Hyderabad, Deccan, on 6 April 2008 - day/night (20-over match) Result Match tied . Bowl out video
Author: crideos
Keywords:
2020 2nd Badshahs final Heroes hyderabad ICL Lahore t20 twenty20
Added: 2008-04-06T12:37:42.000-07:00
View Full Video
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 1 of 5
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 1 of 5
View Full Video
http://crideos.blogspot.com ICL 20s Grand Championship - 2nd final hyderabad Heroes v Lahore Badshahs Played at Lal Bahadur Shastri Stadium, Hyderabad, Deccan, on 6 April 2008 - day/night (20-over match) Result Match tied . Full Highlights
Author: crideos
Keywords:
2008 2020 2nd Badshahs cricket final Heroes hyderabad ICL Lahore t20 twenty20
Added: 2008-04-07T00:07:44.000-07:00
View Full Video
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 2 of 5
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 2 of 5
View Full Video
http://crideos.blogspot.com ICL 20s Grand Championship - 2nd final hyderabad Heroes v Lahore Badshahs Played at Lal Bahadur Shastri Stadium, Hyderabad, Deccan, on 6 April 2008 - day/night (20-over match) Result Match tied . Full Highlights
Author: crideos
Keywords:
2008 2020 2nd Badshahs cricket final Heroes hyderabad ICL Lahore t20 twenty20
Added: 2008-04-07T00:11:52.000-07:00
View Full Video
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 3 of 5
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 3 of 5
View Full Video
http://crideos.blogspot.com ICL 20s Grand Championship - 2nd final hyderabad Heroes v Lahore Badshahs Played at Lal Bahadur Shastri Stadium, Hyderabad, Deccan, on 6 April 2008 - day/night (20-over match) Result Match tied . Full Highlights
Author: crideos
Keywords:
2008 2020 2nd Badshahs cricket final Heroes hyderabad ICL Lahore t20 twenty20
Added: 2008-04-07T00:21:00.000-07:00
View Full Video
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 4 of 5
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 4 of 5
View Full Video
http://crideos.blogspot.com ICL 20s Grand Championship - 2nd final hyderabad Heroes v Lahore Badshahs Played at Lal Bahadur Shastri Stadium, Hyderabad, Deccan, on 6 April 2008 - day/night (20-over match) Result Match tied . Full Highlights
Author: crideos
Keywords:
2008 2020 2nd Badshahs cricket final Heroes hyderabad ICL Lahore t20 twenty20
Added: 2008-04-07T00:29:56.000-07:00
View Full Video
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 5 of 5
ICL Twenty20 2nd Final Hyderabad Heroes v Lahore Badshahs Highlights Part 5 of 5
View Full Video
http://crideos.blogspot.com ICL 20s Grand Championship - 2nd final hyderabad Heroes v Lahore Badshahs Played at Lal Bahadur Shastri Stadium, Hyderabad, Deccan, on 6 April 2008 - day/night (20-over match) Result Match tied . Full Highlights
Author: crideos
Keywords:
2008 2020 2nd Badshahs cricket final Heroes hyderabad ICL Lahore t20 twenty20
Added: 2008-04-07T00:35:32.000-07:00
View Full Video
Night ride in Hyderabad
Night ride in Hyderabad
View Full Video
Autorickshaw ride to Charminar Hyderabad at 11pm
Author: sagres76
Keywords:
auto charminar hyderabad rickshaw
Added: 2008-04-08T03:38:28.000-07:00
View Full Video
Dancing in Holi
Dancing in Holi
View Full Video
Here I'm dancing with some Indian kids, very funny experience altogether. This was the night before Holi, so they light some fires on the street and all the kids go out to play.
Author: juanbuit
Keywords:
aiesec dancing holi hyderabad indian
Added: 2008-04-20T12:00:57.000-07:00
View Full Video
Alex in India - Cricket match with Indian Flag Facepaint!!
Alex in India - Cricket match with Indian Flag Facepaint!!
View Full Video
Wrap up of my night at the cricket match
Author: alexmccauley
Keywords:
cricket
Added: 2008-04-23T12:28:10.000-07:00
View Full Video
New Year's Eve in Hyderabad: Dard-e-Disco Remix
New Year's Eve in Hyderabad: Dard-e-Disco Remix
View Full Video
The first song I heard as I walked in, a sickkk remix to Dard-e-Disco by DJ Nasha of Mumbai - just listen to that bassline. I knew the night was gonna be good after I heard this.
Author: DJSurrealOKC
Keywords:
Dard-e-Disco DJ Eve Hyderabad India music Nasha New Remix world Year's
Added: 2008-04-25T02:33:49.000-07:00
View Full Video
New Year's Eve in Hyderabad: Raghav Intro 2
New Year's Eve in Hyderabad: Raghav Intro 2
View Full Video
Raghav singing while his MC beatboxes (he actually has a really nice voice) before starting the performance of his next song. As you can see, there's a pretty huge crowd there that night, so this is as close as I could get.
Author: DJSurrealOKC
Keywords:
Eve Hyderabad India music New Raghav world Year's
Added: 2008-04-25T02:46:53.000-07:00
View Full Video
New Year's Eve in Hyderabad: Pia Trivedi
New Year's Eve in Hyderabad: Pia Trivedi
View Full Video
The hostess for the night, Pia Trivedi - Indian model and Channel V VJ (no that's not a typo, this is how she spells her last name). Yeah, I kinda wish I had gotten more footage too.
Author: DJSurrealOKC
Keywords:
Channel Eve Hyderabad India model music New Pia Trivedi world Year's
Added: 2008-04-25T03:17:53.000-07:00
View Full Video
New Year's Eve in Hyderabad: Deewangi Deewangi Remix
New Year's Eve in Hyderabad: Deewangi Deewangi Remix
View Full Video
The perfect feel good party track. I don't know why, but every time I hear this song, I just feel really happy. A nice way to end the night.
Author: DJSurrealOKC
Keywords:
Deewangi DJ Eve Hyderabad India music Nasha New remix world Year's
Added: 2008-04-25T03:42:30.000-07:00
View Full Video
me and sagar fighting
me and sagar fighting
View Full Video
well new year night and sagar manav an rajat wre at my place for night stay cuz mom and dad were celbrating in hyderbad and i cudnt go bcoz of xams
so v had a blast here
well i and sagar fought and shit i cud never imagaine dat he wud beat me by 3 - 1
i had srs beating dat day but who cares v enjoyd a lot
Author: raghavatrocious
Keywords:
fight
Added: 2008-04-27T09:06:59.000-07:00
View Full Video
Salsa Hyderabad - May 4, 2008
Salsa Hyderabad - May 4, 2008
View Full Video
Salsa night at Ahala, Taj Krishna, Hyderabad.
www.salsahyderabad.blogspot.com
Author: jeremybrian
Keywords:
Ahala Dance Hyderabad Krishna Salsa Taj
Added: 2008-05-09T13:03:17.000-07:00
View Full Video
Hyderabad Traffic at night.
Hyderabad Traffic at night.
View Full Video
.
Author: BobaFrett2799
Keywords:
Hyderabad Traffic
Added: 2008-05-10T08:29:48.000-07:00
View Full Video
Ustad Bade Ghulam Ali Khan,LatakChaleToMan, Paraj
Ustad Bade Ghulam Ali Khan,LatakChaleToMan, Paraj
View Full Video
The gist of this bandish: It's about the chal or the way a beautiful lady is walking, her beauty is so compelling that the poet loses his senses+++
His Live videos:
Part 1
http://www.youtube.com/watch?v=jCrzVn...
Part 2
http://www.youtube.com/watch?v=sTwNzy...
Part 3
http://www.youtube.com/watch?v=-ZJlzg...
Part 4
http://www.youtube.com/watch?v=rGc5Uo...
Part 5
http://www.youtube.com/watch?v=IMQtmY...
A clip found on Patrick Moutal's site:
http://www.youtube.com/watch?v=OL3VmT...
Ustad Bade Ghulam Ali Khan inherited the musical parampara (tradition)of Punjab that encompassed the Hindu, Muslim and Sikh religions.Saint Hazrat Bulleh Shah, whose Sufiana Kalam (Sufi song)is sung even today, was buried in Kasur, Ghulam Ali's
birth place. The shepherds, wandering in the hills,sang in praise of Hazrath Ali andHussain -- grandsons of Prophet Muhammad -- in melodies akin to classical Indian ragas. The shabads and qawwalis of the Sikhs were often based on ancient Dhrupads and Khayals, again Indian classical ragas. In the biography of Bade Ghulam Ali Khan, authors Malti Gulani
and Quratulain Haider have paid a rich tribute to the maestro.Ghulam Ali's uncle and guru, Ustad Kale Khan,was himself trained in the Patiala school of music
(Patiala gharana); he taught the young Ustad
simple compositions. In 1911, Ghulam Ali accompanied Kale Khan to Delhi, at the age of 9, and watched him perform at the 'Dilli Darbar'. Thus began the grooming and development of the musicalpersonality of the young disciple, alongside rigorous taleem (training) under his uncle's baton. Later after a brief acquaintance with ucknow and its highly refined soirees, Ghulam Ali returned to Lahorewith his father and resumed his nightly riyaaz (practice)on the banks of the river Ravi. Singing all night not only developed
his stamina, but also gave him the rare sensitivity to gauge the external
response. In 1932, he lost his wife Allah Jiwai. His grief, poured into
melody, gave birth to the immortal thumri: Yaad piya ki aye,reflecting the very trauma of his heart. On arrival in Mumbai in 1940, Ghulam Ali thrived under the benign patronage of the noted singer Ganga Bai. A Sufi at heart, he was once greatly moved by the poem Hari Om Tat Sat, and rendered it musically in the haunting raga Pahari. Years later, he explained, "God, Truth and Haq is one. I've Allah in my mind when I sing these words...Different people
in the world have different names for the Supreme Being who is 'One'. In 1947, he visited Afghanistan at the invitation
of King Zahir Shah and re-established the splendid rapport in music between the Afghans and Indians,where the Afghan string instruments like Rabab and Santoor were part of the Hindustani ensemble. Many Indian musical instruments still retain their Persian roots, such as Tabla, derived from Persian tabla;Sitar meaning seven strings and Dilruba being a longer version of Sarangi.The Partition in 1947 dealt a severe blow to the composite culture of the Indian subcontinent. But Ghulam Ali at a concert organized by Radio Lahore sang his own composition in raga Mian ki Todi:
Ab Mori Raam / Raam ri Daiyyan (Ram is my only solace). In 1951, he was invited by Morarji desai to have Indian citizenship
and sing at concerts all over thecountry. According to the cognoscenti,earlier the Ustad's singing was like the sound of the waterfall striking against the mountainside and rushing with great force to mingle with the ocean; now it resembled the vast ocean itself whose might and depth was unfathomable! In 1963, Ghulam Ali
shifted to Kolkata where he was frequently invited to sing before highly appreciative audiences. He would say: Maharashtrians
are great connoisseurs of classical music, with their approach being technical and academic. The exuberance, which the people
of Kolkata show, is characteristic of their emotional and artistic nature!It is in Kolkata that he took young Malti Gilani (singer and later his biographer) as his gunda-bund shagird (committed disciple).
She has noted how the open house atmosphere prevailed at the Ghulam Ali residence - reminiscent of the Sufi Khanas and hospices of the Middle Ages. In such places -- as even in the Dargahs today -- a cauldron of rice was always being cooked for the yraveller and food distributed to the rich
and the poor alike! In this respect, theSufis of Islam, the Bhaktas of the
the Vaishnava cult and the Catholic mystics of the Medieval Europe - they all shared a similar spirit of tolerance and bonhomie.
After having accomplished a lot,
Ghulam Ali breathed his last in 1968 in Hyderabad -- far away from the green wheat fields of Kasur on the eastern seaboard of India. That he always took his listeners on
an inward journey of musical understanding and fulfillment remained true to his last day. This biography provides an insight not only into the music of Ustad Bade Ghulam Ali Khan but into the history of Indian classical music at large.
Author: kishoriray
Keywords:
ali bade ghulam khan music paraj raag ustad world
Added: 2008-05-11T22:16:27.000-07:00
View Full Video
hyderabad central
hyderabad central
View Full Video
a night @ hyderabad central
Author: virtualinhere
Keywords:
central hyderabad
Added: 2008-05-17T02:09:11.000-07:00
View Full Video
Ustad Bade Ghulam Ali Khan, Raag Deshi Todi
Ustad Bade Ghulam Ali Khan, Raag Deshi Todi
View Full Video
Manva Larze, a Bandish in teentaal.
Ustad Bade Ghulam Ali Khan inherited the musical parampara (tradition)of Punjab that encompassed the Hindu, Muslim and Sikh religions.Saint Hazrat Bulleh Shah, whose Sufiana Kalam (Sufi song)is sung even today, was buried in Kasur, Ghulam Ali's
birth place. The shepherds, wandering in the hills,sang in praise of Hazrath Ali andHussain -- grandsons of Prophet Muhammad -- in melodies akin to classical Indian ragas. The shabads and qawwalis of the Sikhs were often based on ancient Dhrupads and Khayals, again Indian classical ragas. In the biography of Bade Ghulam Ali Khan, authors Malti Gulani
and Quratulain Haider have paid a rich tribute to the maestro.Ghulam Ali's uncle and guru, Ustad Kale Khan,was himself trained in the Patiala school of music
(Patiala gharana); he taught the young Ustad
simple compositions. In 1911, Ghulam Ali accompanied Kale Khan to Delhi, at the age of 9, and watched him perform at the 'Dilli Darbar'. Thus began the grooming and development of the musicalpersonality of the young disciple, alongside rigorous taleem (training) under his uncle's baton. Later after a brief acquaintance with ucknow and its highly refined soirees, Ghulam Ali returned to Lahorewith his father and resumed his nightly riyaaz (practice)on the banks of the river Ravi. Singing all night not only developed
his stamina, but also gave him the rare sensitivity to gauge the external
response. In 1932, he lost his wife Allah Jiwai. His grief, poured into
melody, gave birth to the immortal thumri: Yaad piya ki aye,reflecting the very trauma of his heart. On arrival in Mumbai in 1940, Ghulam Ali thrived under the benign patronage of the noted singer Ganga Bai. A Sufi at heart, he was once greatly moved by the poem Hari Om Tat Sat, and rendered it musically in the haunting raga Pahari. Years later, he explained, "God, Truth and Haq is one. I've Allah in my mind when I sing these words...Different people
in the world have different names for the Supreme Being who is 'One'. In 1947, he visited Afghanistan at the invitation
of King Zahir Shah and re-established the splendid rapport in music between the Afghans and Indians,where the Afghan string instruments like Rabab and Santoor were part of the Hindustani ensemble. Many Indian musical instruments still retain their Persian roots, such as Tabla, derived from Persian tabla;Sitar meaning seven strings and Dilruba being a longer version of Sarangi.The Partition in 1947 dealt a severe blow to the composite culture of the Indian subcontinent. But Ghulam Ali at a concert organized by Radio Lahore sang his own composition in raga Mian ki Todi:
Ab Mori Raam / Raam ri Daiyyan (Ram is my only solace). In 1951, he was invited by Morarji desai to have Indian citizenship
and sing at concerts all over thecountry. According to the cognoscenti,earlier the Ustad's singing was like the sound of the waterfall striking against the mountainside and rushing with great force to mingle with the ocean; now it resembled the vast ocean itself whose might and depth was unfathomable! In 1963, Ghulam Ali
shifted to Kolkata where he was frequently invited to sing before highly appreciative audiences. He would say: Maharashtrians
are great connoisseurs of classical music, with their approach being technical and academic. The exuberance, which the people
of Kolkata show, is characteristic of their emotional and artistic nature!It is in Kolkata that he took young Malti Gilani (singer and later his biographer) as his gunda-bund shagird (committed disciple).
She has noted how the open house atmosphere prevailed at the Ghulam Ali residence - reminiscent of the Sufi Khanas and hospices of the Middle Ages. In such places -- as even in the Dargahs today -- a cauldron of rice was always being cooked for the yraveller and food distributed to the rich
and the poor alike! In this respect, theSufis of Islam, the Bhaktas of the
the Vaishnava cult and the Catholic mystics of the Medieval Europe - they all shared a similar spirit of tolerance and bonhomie.
After having accomplished a lot,
Ghulam Ali breathed his last in 1968 in Hyderabad -- far away from the green wheat fields of Kasur on the eastern seaboard of India. That he always took his listeners on
an inward journey of musical understanding and fulfillment remained true to his last day. This biography provides an insight not only into the music of Ustad Bade Ghulam Ali Khan but into the history of Indian classical music at large.
His Live videos:
Part 1
http://www.youtube.com/watch?v=jCrzVnHSYoQ
Part 2
http://www.youtube.com/watch?v=sTwNzyJRrQI
Part 3
http://www.youtube.com/watch?v=-ZJlzgs5bUo
Part 4
http://www.youtube.com/watch?v=rGc5UoSne5s
Part 5
http://www.youtube.com/watch?v=IMQtmYUv-ig
A clip found on Patrick Moutal's site:
http://www.youtube.com/watch?v=OL3VmTyINUs
Author: kishoriray
Keywords:
ali bade classical deshi ghulam indian khan music raag todi ustad world
Added: 2008-05-22T17:47:23.000-07:00
View Full Video
Ustad Bade Ghulam Ali Khan, Raag Gunkali
Ustad Bade Ghulam Ali Khan, Raag Gunkali
View Full Video
Ustad Bade Ghulam Ali Khan inherited the musical parampara (tradition)of Punjab that encompassed the Hindu, Muslim and Sikh religions.Saint Hazrat Bulleh Shah, whose Sufiana Kalam (Sufi song)is sung even today, was buried in Kasur, Ghulam Ali's
birth place. The shepherds, wandering in the hills,sang in praise of Hazrath Ali andHussain -- grandsons of Prophet Muhammad -- in melodies akin to classical Indian ragas. The shabads and qawwalis of the Sikhs were often based on ancient Dhrupads and Khayals, again Indian classical ragas. In the biography of Bade Ghulam Ali Khan, authors Malti Gulani
and Quratulain Haider have paid a rich tribute to the maestro.Ghulam Ali's uncle and guru, Ustad Kale Khan,was himself trained in the Patiala school of music
(Patiala gharana); he taught the young Ustad
simple compositions. In 1911, Ghulam Ali accompanied Kale Khan to Delhi, at the age of 9, and watched him perform at the 'Dilli Darbar'. Thus began the grooming and development of the musicalpersonality of the young disciple, alongside rigorous taleem (training) under his uncle's baton. Later after a brief acquaintance with ucknow and its highly refined soirees, Ghulam Ali returned to Lahorewith his father and resumed his nightly riyaaz (practice)on the banks of the river Ravi. Singing all night not only developed
his stamina, but also gave him the rare sensitivity to gauge the external
response. In 1932, he lost his wife Allah Jiwai. His grief, poured into
melody, gave birth to the immortal thumri: Yaad piya ki aye,reflecting the very trauma of his heart. On arrival in Mumbai in 1940, Ghulam Ali thrived under the benign patronage of the noted singer Ganga Bai. A Sufi at heart, he was once greatly moved by the poem Hari Om Tat Sat, and rendered it musically in the haunting raga Pahari. Years later, he explained, "God, Truth and Haq is one. I've Allah in my mind when I sing these words...Different people
in the world have different names for the Supreme Being who is 'One'. In 1947, he visited Afghanistan at the invitation
of King Zahir Shah and re-established the splendid rapport in music between the Afghans and Indians,where the Afghan string instruments like Rabab and Santoor were part of the Hindustani ensemble. Many Indian musical instruments still retain their Persian roots, such as Tabla, derived from Persian tabla;Sitar meaning seven strings and Dilruba being a longer version of Sarangi.The Partition in 1947 dealt a severe blow to the composite culture of the Indian subcontinent. But Ghulam Ali at a concert organized by Radio Lahore sang his own composition in raga Mian ki Todi:
Ab Mori Raam / Raam ri Daiyyan (Ram is my only solace). In 1951, he was invited by Morarji desai to have Indian citizenship
and sing at concerts all over thecountry. According to the cognoscenti,earlier the Ustad's singing was like the sound of the waterfall striking against the mountainside and rushing with great force to mingle with the ocean; now it resembled the vast ocean itself whose might and depth was unfathomable! In 1963, Ghulam Ali
shifted to Kolkata where he was frequently invited to sing before highly appreciative audiences. He would say: Maharashtrians
are great connoisseurs of classical music, with their approach being technical and academic. The exuberance, which the people
of Kolkata show, is characteristic of their emotional and artistic nature!It is in Kolkata that he took young Malti Gilani (singer and later his biographer) as his gunda-bund shagird (committed disciple).
She has noted how the open house atmosphere prevailed at the Ghulam Ali residence - reminiscent of the Sufi Khanas and hospices of the Middle Ages. In such places -- as even in the Dargahs today -- a cauldron of rice was always being cooked for the yraveller and food distributed to the rich
and the poor alike! In this respect, theSufis of Islam, the Bhaktas of the
the Vaishnava cult and the Catholic mystics of the Medieval Europe - they all shared a similar spirit of tolerance and bonhomie.
After having accomplished a lot,
Ghulam Ali breathed his last in 1968 in Hyderabad -- far away from the green wheat fields of Kasur on the eastern seaboard of India. That he always took his listeners on
an inward journey of musical understanding and fulfillment remained true to his last day. This biography provides an insight not only into the music of Ustad Bade Ghulam Ali Khan but into the history of Indian classical music at large.
His Live videos:
Part 1
http://www.youtube.com/watch?v=jCrzVnHSYoQ
Part 2
http://www.youtube.com/watch?v=sTwNzyJRrQI
Part 3
http://www.youtube.com/watch?v=-ZJlzgs5bUo
Part 4
http://www.youtube.com/watch?v=rGc5UoSne5s
Part 5
http://www.youtube.com/watch?v=IMQtmYUv-ig
A clip found on Patrick Moutal's site:
http://www.youtube.com/watch?v=OL3VmTyINUs
Author: kishoriray
Keywords:
ali bade classical gharana ghulam gunkali indian kasur khan music patiala raag ustad world
Added: 2008-05-26T08:54:37.000-07:00
View Full Video
Dilsukhnagar Seen During Night
Dilsukhnagar Seen During Night
View Full Video
Dilsukhnagar in Hyderabad City has become very important business centre catering to the needs of students education,Hostel fecilities,Major banks,corporate offices,Textile ,Food junks etc.It will be amazing to see Dilsukhnagar from foot over bridge during night,for hours together.Bee line of vehicles,Hawkers,casually loitering young boys and glittering girls
Author: pvraophy
Keywords:
landmark
Added: 2008-06-01T09:09:43.000-07:00
View Full Video
Hyderabad
Hyderabad
View Full Video
Dilsukhnagar in Hyderabad city is a magnificent place. Specially during evenings and night it is full of life
Author: pvraophy
Keywords:
cityscape
Added: 2008-06-04T08:20:13.000-07:00
View Full Video
Are Hyderabad Roads Safe At Night
Are Hyderabad Roads Safe At Night
View Full Video
Are Hyderabad Roads Safe At Night
Author: naveenatv9
Keywords:
AnchorJhansi girlchild naveena promos Shital tv9 woman
Added: 2008-06-22T23:45:04.000-07:00
View Full Video
On My Birthday night!!!!!!!!!!!!
Nine Queens of Night (Flower) in One Night
Nine Queens of Night (Flower) in One Night
View Full Video
Flower of Brahma Kamalam or Queen of Night - Nine flowers blossomed in a house in HUDA colony of Chandanagar, Hyderabad. This is a rare flower in India and nine flowers at a time is GREAT NEWS.
Author: seshagiri
Keywords:
Brahma Kamalam Night of Queen
Added: 2008-07-07T04:00:41.000-07:00
View Full Video
Subscribe to:
Comments (Atom)